I don't read book reviews, never before reading the books, and very rarely even after that. But there have to be exceptions, of course. You know, exceptions, exceptions, of course, those exceptions. Reason thrives on those, and so does irrationality. And we all do, don't we?... Well, anyway... exceptions.
I'm sifting through The New Yorker after a couple of lean days, literature wise, and well, what do you know, there's that name sticking out, noir dripping dagger-style, right in the centre of the slender film of the tender screen, that seven lettered [-------] that conjures up images of paranoid punks, sleazy streets with disappearing roofs, neon signs in forgotten colours and trippy psychedelia crammed into two dimensional black and white. And what happens next? Of course, the exception impulse kicks in, bypassing those hapless neurons waiting for the sinuous mundanity of reason and before you know it, your finger's done all the necessarily involuntary shaking and moving dance moves and in a flash that even time is at a loss to explain, the words stare into you through cunningly deceptive eyes and it's that. It's that.
But no, it's not that. It's not. There is another exception embedded in this exception. You read only the master's quotes, not the words of that simpleton reviewer who is, for now, to be bloodily, and exceptionally hated for being able to get his hands onto those floating, kaleidoscopic heads (=pages) before you could. Yes, I know I do admire Louis Menand, but I'm sure, in this context, or in any other damn context (pardon the language) involving this seven lettered [-------], we'd both agree that we wouldn't give a damn (pardon, again).
There are perfunctory snippets, names splattered on windshields that you don't give a damn (I don't give a damn about the language anymore, please) about, just little chunks of odoured flesh thrown here and there for the carnivore to just smell and move on, meaningless bodies of words strewn about but then, then, then,
"Was it possible, that at every gathering—concert, peace rally, love-in, be-in, and freak-in, here, up north, back East, wherever—those dark crews had been busy all along, reclaiming the music, the resistance to power, the sexual desire from epic to everyday, all they could sweep up, for the ancient forces of greed and fear?"
And then, then, then, only then does the embittered soul, dragged headfirst through the delirious boulevards of forgotten paranoia, painted in that unforgettable scent of burnt paper, submerged in shapeless shrouds of wicked casuistry, rest at last, at the feet of its faceless, nameless, seven lettered master of luscious, candy-coated apocalypto.
Welcome back, [-------].
Friday, July 31, 2009
Wednesday, July 29, 2009
Stolen
I spoke to her today.
The familiar giggles. Complaints about the laptop password. New best friends. Evenings lost to music classes. New contact numbers. Lots of homework to be done. A boring Harry Potter movie. The new second ranker in class. Awesome Bone books. Lavender. A very bad cough. New favourite songs. But no one to share them with. Just an open brown door, an empty room.
I wish time would stop stealing my moments.
The familiar giggles. Complaints about the laptop password. New best friends. Evenings lost to music classes. New contact numbers. Lots of homework to be done. A boring Harry Potter movie. The new second ranker in class. Awesome Bone books. Lavender. A very bad cough. New favourite songs. But no one to share them with. Just an open brown door, an empty room.
I wish time would stop stealing my moments.
Sunday, July 19, 2009
Running away
Every time you slip away from my grasp
I look ahead of myself
and realise you were, in fact, never there
to begin with.
You had begun running
long before even slowing down.
You’re like the tip of the arrow,
forever hurtling towards the distance,
and I’m its tail,
forever chasing.
I sometimes wonder
if it’s me
who’s too slow,
or you
who’s too fast.
But beware
of the deceptive pleasures of running away,
for when the time comes
when I can’t keep up anymore
and fall behind
to gradually disappear in the distance,
dear,
you may have nothing left to run away from.
I look ahead of myself
and realise you were, in fact, never there
to begin with.
You had begun running
long before even slowing down.
You’re like the tip of the arrow,
forever hurtling towards the distance,
and I’m its tail,
forever chasing.
I sometimes wonder
if it’s me
who’s too slow,
or you
who’s too fast.
But beware
of the deceptive pleasures of running away,
for when the time comes
when I can’t keep up anymore
and fall behind
to gradually disappear in the distance,
dear,
you may have nothing left to run away from.
Wednesday, July 1, 2009
On Turner
He
who bent light
and moulded fire,
He
who brought down the skies
and chased angry clouds,
He
who saw rage in the sea
and life in its waves,
He
who gave shadows colour
and the land its waiting heart,
He
who taught me fury
and gave me art,
This stranger
who died in London
gazing into the Thames
on a December morning
one hundred and fifty eight years ago,
I think I knew him.
who bent light
and moulded fire,
He
who brought down the skies
and chased angry clouds,
He
who saw rage in the sea
and life in its waves,
He
who gave shadows colour
and the land its waiting heart,
He
who taught me fury
and gave me art,
This stranger
who died in London
gazing into the Thames
on a December morning
one hundred and fifty eight years ago,
I think I knew him.
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